GARETH MASON
Sharp Intake
2008-2011
16.93h x 11.02w x 8.66d in
Porcelain, stoneware 'mineral crust', layered glazes, slips, lustres
Tableau
2013-2018
22.44h x 14.57w x 13.78d in
Stoneware, porcelain, glazes, slips, oxides, melted brick, found objects
Boiled Owls
2015-2018
26.57h x 21.26w x 20.08d in
Stoneware, porcelain, vitreous slips, layered glazes, stains, found objects, slate, oxides,
feldspar
Sharp Intake
In transformation, qualities, undaunted (Embodying a state of
constant flux; Entombed within my offering; ghosts, haunted) Reveal their hidden
natures. And the crux Of revelation this practice assays Is just to deepen wonder, to
remind: Believe it—we can sometimes break our stays, Eschew our locked quotidian
confines. For there, beyond the membrane of our skin The sensual realm awaits. We know
its call; Deny it though we may, it is our kin (Its murmurings entrance us after all).
Earth, sea-change, growth: writ large in all I see, Transforming what once was to what
shall be.
Tableau
'Seeing is Having', but this is not about possession. There is
truth to the idea that the artist becomes what she sees, what he deeply regards. And of
course what that really means is we become what we feel; what we allow in, what we
permit to penetrate our fleshy bluster and resonate internally, take root there. For
good and ill... In a very real way, 'we are what we eat'. And looking is loving.
Boiled Owls
Material-as-emotion; matter-as-voice; gesture-as-language: these
are about the sensorial augmentation of thought. This is why I am so aesthetically
greedy. Vicious, voluptuous, passionate; I want a wounding beauty. Viewed from the
perspective of the senses, material qualities have distinct voices, and I pursue them
all.